
Stefania Casini Darstellerin
Stefania Casini ist eine italienische Schauspielerin und Filmregisseurin. Stefania Casini (* 4. September in Villa di Chiavenna) ist eine italienische Schauspielerin und Filmregisseurin. Inhaltsverzeichnis. 1 Leben; 2 Filmografie. Datei:Stefania rat24.eu Sprache × ( KB), Cavarrone, {{Information |Description= Italian actress Stefania Casini |Source= Italian magazine. Stefania Casini. Filme. Bilder. News. Brian Dennehy, Stefania Casini, Der Bauch des Architekten. Vorname. Stefania. Nachname. Casini. Geburtstag. Stefania Casini - Alle Bilder, Filme, TV Serien und Fakten finden Sie hier zum Star auf TV Spielfilm. Jetzt hier informieren! April ; Darsteller: Lino Capolicchio, Massimo Serato, Stefania Casini, Craig Hill, Attilio Duse; Untertitel:: Italienisch; Sprache: Italienisch (Dolby Digital ). Serien und Filme mit Stefania Casini: Blutige Straße · Der Bauch des Architekten · Suspiria · – Gewalt, Macht, Leidenschaft · – Kampf, Liebe, .

Stefania Casini born 4 September is an Italian actress, screenwriter, director, and producer. She received two David di Donatello Award nominations for her work in the film Lontano da dove.
From Wikipedia, the free encyclopedia. Italian actress and film director. This article includes a list of references , related reading or external links , but its sources remain unclear because it lacks inline citations.
Please help to improve this article by introducing more precise citations. January Learn how and when to remove this template message. Villa di Chiavenna , Lombardy , Italy.
Actress Screenwriter Director Producer. Categories : Italian film actresses 20th-century Italian actresses births Living people Italian film directors Italian television actresses People from the Province of Sondrio.
Namespaces Article Talk. Views Read Edit View history. The Golasecca layers belong to the phases G.
III A2 and A3; the finds from the earliest levels can be compared to those from the Golasecca settlements of Como, Bergamo and Castaneda TI , but in the second half of the 5th century Ligurian type pottery appears in Milan, there is very scant evidence for contacts with transalpine Europe.
Instead in G. Most probably the Attic pottery found in Milan arrived here thanks to the Genoese emporium.
During the period LT B1 there were rectangular wooden buildings in this area of the settlement. The pottery shows continuity with the Golasecca tradition.
Trumpet shaped bases and piriform vases show contacts with Eastern France. Ligurian type pottery becomes more common suggesting the movement and settlement in the oppidum of small groups of Ligurians, while we have no evidence for contacts with the Cenomanes and with the cultural area of the Veneti.
In the following LT B2 there are still Ligurian type pottery and Golasecca type pottery which will disappear utter ly at the end of the following LT C1 phase.
Pre-top shaped pots appear. The LT C1 phase has given us a large amount of finds. Imported pottery show contacts with Southern France and the area of Marseille while some bowls of Gaulish tradition point to the arrival of small groups of Celts from transalpine Europe.
After the Romans defeated the Insubres in BC, new trade routes were opened, as shown by the finds of black-glazed pottery from Volterra and Arezzo and by the amphorae probably belonging to Rhodian and Greco-Italic types.
During the LT D period the Roman cultural influx became even stronger and monuments were b uilt in the oppidum thanks to workers from the cultural area of the Veneti, where the Roman colony of Aquileia had been founded at the end of the 2nd century BC.
Locally made black-glazed pottery appears with the imported one. The pottery types decrease in their number and now there are belly-shaped decorated cooking pots for estalling the Roman ones.
Painted potter y gradually disappears and the onl y surviving painted decoration can be found on the pseudo-kalathos whic h will spread also in the area of the Veneti giving further evidence f or the opening of a trade route toward the Adriatic sea.
Nuove iscrizioni in alfabeto di Lugano sul masso Camisana 1 di Carona Bergamo more. Some new Lugano alphabet inscriptions on the Camisana 1 boulder at Carona Bergamo.
During the research campaign it was possible to read many new Lepontic inscriptions engraved on the CMS 1 boulder.
Some of them are presented here, Some of them are presented here, together with the first ones already published. Although it is not possible to understand the significance of most of the words, some observations can be done.
It is now clear the presence of a very complicated stratigraphy of engravings, which demonstrates how frequent was the writing and the importance of the boulder for worship aims.
The name of the god Pennino is repeated now three times, the new one in the ancient form penini, that allows to interpret the many pe written in very big letters as its abbreviation.
There are some repeated words as ti, as the first member of a binomial, and isiti , still unexplained.
The difficulty in understanding the inscriptions, which can be in many cases referred to the Celtic language, may depend on the fact that the Lepontic alphabet was probably used to write also non Celtic languages.
From the latter half of the 6th and for all of the 5th century B. It was also partly bought by the It was also partly bought by the populations living in Northern Italy, including the Golasecca Celts, who purchased forms such as kylikes, skyphoi and kantharoi.
Compared to the first evidence of Attic pottery in the Po valley around — BC, in the Golasecca culture its adoption occurred some time later, suggesting the existence a sort of difficulty in accepting this new item.
The distribution of Attic pottery within the Golasecca culture concerns proto-urban centres, particularly Como, the home of trade and aristocratic groups.
Its sporadic presence in tombs reveals difficulties in welcoming the tableware into funerary ideology. Its complete absence among the Lepontii should be considered a cultural choice.
The Golasecca people would not also assimilate, along with these artefacts, the complex ideological matrix that governed the practice of the Greek symposium.
These prestigious objects would substitute the traditional local ones or were used only for consuming a new drink, wine.
Guggisberg Internationale Tagung Basel Oktober Ceramics Archaeology and Ceramica Iberica. Statue-menhirs and stele belong to an ideological world that is difficult to reconstruct and interpret, although many recent discoveries and researches in Northern Italy added new elements to this puzzle.
We should take into account that We should take into account that during the Copper Age, cults were not anymore a family attendance and they changed from a private practice into a collective one, performed in public places.
Still sacredness and profane are not completely separated yet, so the engraved stele are not only the representation of the religious thoughts, but also of the economic, social and maybe political aspects of the time.
The interpretation of these monuments is still a topic of debate: they can represent deities or ancestors.
From an ideological point of view, we find in the Alpine and Pre-Alpine region the evidence of the cult of the ancestors. Collective burials are a peculiar phenomenon and the sites reveal the existence of elaborated religious practices.
In Valcamonica and Valtellina statue-menhirs and stele are not in relation with cemeteries. Here too many elements reveal the existence of the cult of the ancestors, as the secondary deposition of burnt human bones Anvoia and Pat , the construction of cairns, similar to those found in the Copper Age sanctuaries mentioned above, and the many engraved figures of animals.
Still we prefer to interpret camunnian engraved monoliths as images of gods, or more probably as deified mythical ancestors. Therefore, the stele sites were probably the religious focal point for small local communities, and were very important for intertribal relations and boundaries.
On the monuments symbols both of their religious beliefs the sun and weapons, the female ornaments and the fringed cloak and of the society organisation many series of different animal species , with a starting process of hierarchization were engraved.
Although the statue-menhirs of Valcamonica and Valtellina were studied continuously so far, there are still more questions than answer and hypothesis to be confirmed.
Researches, new discoveries and especially scientific publication of all the monuments excavated will bring new important data.
Hansen, V. Incisioni protostoriche e iscrizioni leponzie su roccia alle sorgenti del Brembo Val Camisana di Carona, Bergamo. The evidence of the epicoric name of Poeninus, the use of writing on a rock and the altitude of the site can be compared with the boulder CMS 1 found at Carona Brembana Valley, Bergamo and can be linked with the Roman finds of the Great St.
Bernard pass, offering altogether new elements for the reconstruction of the pre-Roman Alpine religiosity.
The Latin alphabet that is engraved together with the many Lepontian inscriptions on the boulder CMS 1 Carona, Bergamo , is the fifth found in Northern Italy in a non-Roman milieu: the other four are recorded in Este one on a bronze The Latin alphabet that is engraved together with the many Lepontian inscriptions on the boulder CMS 1 Carona, Bergamo , is the fifth found in Northern Italy in a non-Roman milieu: the other four are recorded in Este one on a bronze tablet and in Valcamonica three engraved on rocks.
They all can be compared for the presence of the e in the form of two parallel vertical lines and, if they are complete, for their ending with the letter x.
The Carona alphabet shows mixed characters: most of the letters follows the standard Latin alphabet, but a and p are written in the Lugano alphabet Lepontic.
Epichoric alphabets are absent in the Golasecca cultural area, while in the Paeloveneti and Camunnian ones they are frequent in ritual contexts, as sanctuaries and engraved rocks.
The relation between alphabets and worship places has a long tradition in the Semitic milieu, from where it was transmitted, together with writing, to the Greek world and then to the Etruscan-Italic one.
This connection seems to never last, for Latin alphabets inscribed on marble slabs are a recurrent character of the Jupiter Dolichenus sanctuaries, during the Roman imperial age.
At any rate alphabets are not models for the teaching of writing, but an expression of religious devotion. In fact, the sequence of the alphabet letters is symbolically linked to the cycle of the seasons and to the demand of fecundity, fertility, rebirth, blessing and protection.
The alphabet of Carona reconnects to these symbolic values, given the context of the boulder on which is engraved. This rock should have been the focus of a small natural sanctuary, in relation with the water springs that surround it and the proximity to the Valsecca pass.
New observations on symbolic engravings on the copper age statue menhirs of Valcamonica and Valtellina Italy : the figures of animals and of the fringed cloack.
Publication Date: Publication Name: R. Un santuario celtico alle fonti del Brembo? Le iscrizioni in alfabeto di Lugano incise su roccia a Carona Bergamo more.
Le figure si datano al V secolo a. Tra il e il sono state condotte alcune indagini archeologiche intorno al masso CMS 1 e surveys con rilevatore di metalli lungo il pendio a valle.
Gli scavi non hanno rivelato tracce di frequentazione, a causa di elevati fenomeni di erosione e dilavamento, ma lungo il pendio sono stati trovati una fibula Certosa VII c V secolo a.
A partire dalla fine del VI secolo a. Durante questo periodo gli oggetti golasecchiani conoscono la loro massima diffusione sia in Italia settentrionale, sia a nord delle Alpi.
Nel momento di massima diffusione degli oggetti di ornamento golasecchiani nei territori a nord delle Alpi, ossia tra la fine del VI e nel corso del V secolo a.
Mediolanum: dati inediti dallo studio dei livelli preromani more. Inoltre, a partire dal IV secolo a. La necropoli golasecchiana di Brembate Sotto.
Revisione dei vecchi dati more. Publication Date: Publication Name: in D. Immagini di dei, guerrieri e donne. More Info: con A. Un santuario celtico a Carona Bergamo?
A Celtic santuar y at Carona Bergamo? Researches and findings in the area of the engraved rock CMS 1. During and some excavations were carried out in the area of the engraved rock CMS 1, after finding some preroman Unfortunally no traces of ancient nor recent presence immediately around the rock were found, because of the erosion.
Only by using a metal detector it was possible to recover some objects on the southwards slope of the terrace were the rock is situated.
The most important objects found are a bronze fibula of Certosa type VI C, dating to the 5th century BC and two pieces of aes rude that can be attributed to a period between the 5th and the 3rd century BC.
This impor tant findings confirm the haunting of the site in ancient periods, tha t correspond either to the 5th century BC engraved figures and to the 3rd-1st century BC pr eroman inscriptions.
This type of fibula and the aes rude are common votive gifts in sanctuaries of the Paleoveneti culture, in the alpine Brandopfer plätze or in the sanctuaries near the alpine passes Malnitzer Tauer, Austria.
The aes rude was probably offered because of its pr e-monetary value; from the 3rd century BC, when a monetary economy is already established, coins are the usual offer in sanctuaryies of every kind.
Many similarity with the Great S. Bernardo pass are reconfirmed, although the Valsecca pass, near the CMS 1 rock, should have had a very secondar y role, because it could not be crossed by carriages, but only by foot.
The figures of weapons of the rock nr. Many of the engraved figures of weapons of the rock Foppe di Nadro nr.
In particular the daggers can be divided in two main groups, of the Ear ly and Middle-Recent Bronze Age.
Most of the figures of axes can be compared to MBA objects, so it is possible to say that while during the EBA the most frequent figures are those of daggers, during MBA the figures of axes prevail.
During the RBA the figures of weapons decrease significantly, while the anthropomorphic figures appear. Publication Date: Publication Name: in C. Cucini, Acta mineraria et metallurgica.
The distribution of the Golasecca fibulae and ornaments pertaining mostly to women costume outside the territory of the Golasecca culture reveals the moving of women towards neighboring lands, starting from the 8th and 7th century BC The distribution of the Golasecca fibulae and ornaments pertaining mostly to women costume outside the territory of the Golasecca culture reveals the moving of women towards neighboring lands, starting from the 8th and 7th century BC.
It appears to be a strict link between female ornaments and the routes of trade, meaning that the exogamic marriages were the basis of the trading relations.
This kind of marriages continued during 6th and 5th century BC, when the Golasecca culture became an important partner in the trades between the Celts of Central Europe and the Etruscans of the Po valley; the distribution of the female ornaments reach now Central France Marne , northern Germany and also eastern territories such as Slovenia.
The phenomenon decreases just before the Celtic invasions. Publication Date: Publication Name: S. Marchesini ed. Alcune iscrizioni preromane inedite da Milano more.
Some unpublished pre-roman inscriptions from Milano. The Authors present seven unpublished pre-roman inscription on ceramic from the excavations carried out in Moneta and Gorani streets by Anna Ceresa of the Archaeological The Authors present seven unpublished pre-roman inscription on ceramic from the excavations carried out in Moneta and Gorani streets by Anna Ceresa of the Archaeological Superintendency of Lombardy.
Among them two inscriptions se and pu from Moneta street can be dated to LT B period, most probably to the earliest phase second half of the 4th century BC ; other two from the same site tuit and arki can be assigned to the end of the 4th and the beginning of the 3rd century BC.
More Info: con F. Casini ed. Studi di protostoria in onore di Raffaele C. De Marinis, Notizie Archeologiche Bergomensi, 19, Le fibule a coste rinvenute a Bologna.
Nuovi spunti di riflessione more. The ribbed fibulae found in Bologna. New remarks. The ribbed fibulae were studied by Raffaele C. I period from the 9th to the 7th century BC : the discs type is the most I period from the 9th to the 7th century BC : the discs type is the most ancient G.
I A1 , followed by the Mörigen type G. I A2 , the Castelletto Ticino type G. Starting from some fibulae found in Bologna, inside the S.
Francesco hoard, in some graves of the San Vitale cemetery graves nr.
SO Uhr Sat. Stefania Casini bei cinema. Diese Kinderfilme für die ganze Familie laufen am 1. Für Hintergrundinformationen sei auf Wikipedia:Bildrechte verwiesen. 5. Gebot kindliche Charme früherer Episoden X Men 2 Stream nur sporadisch auf —Ausstattung, Tricks und Darsteller sind aber wieder top. Blutig, zynisch und smart treibt Deadpool wieder seine Meta-Scherze. Hansen, V. Immagini di dei, guerrieri e donne. From Wikipedia, the free encyclopedia. Probably the inscriptions must be referred to fulfilled vows by Einer Gegen Alle Stefania Casini their way to the mountain passes. During the RBA the figures of weapons decrease significantly, while the anthropomorphic figures appear. Publication Date: Publication Name: S. Our knowledge of the pottery of this period is mainly from burials, which are the main evidence available for the whole Iron Age in Northern Italy and the most common pottery shapes found in graves are quite rare in settlements. This type of fibula and the aes rude are Max Handelman votive Warcraft The Beginning Movie4k in sanctuaries of the Paleoveneti culture, in the alpine Brandopfer plätze or in the sanctuaries near the alpine passes Malnitzer Tauer, Austria. Between the 2nd and the 1st century BC the amount of pottery shapes decreases and they become Perfect Day standardized, locally made low-quality black-glazed pottery appears, possibly because of the influence of the Central Italian pottery production. Actress Screenwriter Director Producer. Visit our What to Watch page. In Valcamonica and Valtellina statue-menhirs and stele are not in relation with cemeteries. La totale assenza di questi prodotti tra i Leponzi deve essere considerata una scelta culturale. Nuove iscrizioni in alfabeto di Lugano Malik Harris masso Camisana 1 di Carona Bergamo more. More Info: Marilyn Monroe Bilder R.
Und lebt fortan mit dem Biest auf seinem einsamen Schloss. Der kindliche Lego Ninjago Movie Deutsch früherer Episoden blitzt nur sporadisch auf —Ausstattung, Tricks und Darsteller sind aber wieder top. Namensräume Datei Diskussion. Beschreibung Stefania Casini. Ja, das funktioniert. Schützenhilfe erhält er von Hausmeister Mr.
Ja also, dich! Stelle ein!